2018-03-27T08:13:13+00:00March 5th, 2015|Tags: , , |

Valve’s early VR prototypes are wonderful.

2018-03-27T08:17:30+00:00January 31st, 2015|Tags: , , |


‘The Entertainment’ was first presented at the Buffalo Street Student Theatre on the evening of November 16th, 1973, with the following cast:

  • HARRY ESPERANZA …………. Edgar Foy
  • LAWRENCE SLADE ………….. Allen Vogel
  • PEARL SLADE …………….. Sarah Wakefield
  • ROSA SLADE ……………… Sydney Mueller
  • EVELYN HICKMAN ………….. Paula Graves
  • BAR-FLY ………………… Uncredited
  • The production was directed by James B. Carrington. The setting was designed by Lula Chamberlain. The plays ‘A Reckoning’ and ‘A Bar-fly’ were written by Lem Doolittle, and later adapted by Joseph Wheattree for simultaneous performance as ‘The Entertainment.’

    There really isn’t a word yet to describe what this is, and what’s also interesting here. The more you try to describe it, you begin to spoil it for anyone who hasn’t experienced it yet. Virtual Experience, Electronic Experiences? I don’t know, neither are great.

    The world of storytelling is about to get a whole »

    2018-03-27T08:22:53+00:00December 6th, 2014|Tags: , , |

    prostheticknowledge:

    Messing around with 3D video

    Short video from graphics researcher Oliver Kreylos demonstrates what watching a Kinect-powered 3D video with a real-time 3D capture of yourself would currently look like – video embedded below:

    A “recursive” video of sorts, showing a recording of myself watching a previously-made recording of myself building a C-60 Buckminsterfullerene using the Nanotech Construction Kit. Both recordings were done in the 3-Kinect 3D video capture space in IDAV’s VR lab, using a head-tracked Oculus Rift DK1 and a tracked input device (both times).

    More Here

    This is what I imagine robots like Asimo see when they are “looking”. Even though I’m sure that’s totally wrong.

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